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by Ptahmassu Nofra-Uaa
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Queen duvet cover (88" x 88") featuring the image "Akem-Shield of Sobek-Ra Lord of Terror" by Ptahmassu Nofra-Uaa. Our soft microfiber duvet covers are hand sewn and include a hidden zipper for easy washing and assembly. Your selected image is printed on the top surface with a soft white surface underneath. All duvet covers are machine washable with cold water and a mild detergent.
Genuine semi-precious mineral pigments, 22kt gold, 23kt gold, platinum, copper, semi-precious & precious stones, Austrian lead crystal on 5x7... more
2 - 3 business days
Round Beach Towel
Weekender Tote Bag
Portable Battery Charger
Genuine semi-precious mineral pigments, 22kt gold, 23kt gold, platinum, copper, semi-precious & precious stones, Austrian lead crystal on 5"x7" museum conservation wood panelThe Aegis of Sobek-Ra Lord of Terror embodies the dichotomy that accompanies this powerful Netjer. On one hand He is a manifestation of the burning, punishing, and all-consuming fire of the Creator Ra, a warlike deity possessing a severe disposition; but on the other, He is a passionately procreative and protective deity aligned with the powers of sexual fecundity, fruitfulness of the earth and its vegetation, and abundance of the river. On the one hand He is fire and burning sky, and on the other He is water and riparian land. Sobek-Ra is a primordial deity linked with the dual natures of both fire and water: (of fire) warming, life-affirming, and life-sustaining, and yet wholly destructive when left unchecked or unattended; and (of water), the vital component of existence that feeds and nourishes all life upo...
Ptahmassu Nofra-Uaa is an internationally recognized artist, writer, human rights spokesperson and spiritual teacher, whose scholarship and vision have been noted by significant members of the metaphysical and cultural arts communities. Born in San Diego, California into a family of artists, he began at six years of age to receive instruction in figure studies, watercolor technique, and Old World oil painting methods from his father, an accomplished portrait and landscape painter. At the age of six, Ptahmassu began what has evolved into a life long obsession with the civilization, art and religious practices of the ancient Egyptians. Even at this tender age, the boy astonished (and not a little horrified) his parents when he declared...
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