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Lord Anpu gleams with His pure gold and silver and copper, robust and noble beneath His celestial crown of crescent moon and crystal stars. He thrusts the sun-touched lunar disk into a sky of real lapis lazuli, beheld by the Wedjat Eyes of the Other World glinting with holy gold and warm copper. Surrounded by genuine amethyst and a host of other semi-precious pigments, the Lord of the Sacred Land gives resurrection and restoration to the dead and slumbering souls, and the renewal of life to the shrouded body of His Father Ausir.

Everywhere the signs of life abound in this icon, but so too does the truth of sacrifice and suffering, of purple-black midnight darkness, and the loneliness of death. The imy-uwt fetish spills its blood behind the striding feet of the God, Who appears before the Mount of the West upon which the tomb of His Father has been raised. This is a moment where life and death claim in equal measure, where suffering and liberation are given equal dues, where hu...

Ptahmassu Nofra-Uaa is an internationally recognized artist, writer, human rights spokesperson and spiritual teacher, whose scholarship and vision have been noted by significant members of the metaphysical and cultural arts communities. Born in San Diego, California into a family of artists, he began at six years of age to receive instruction in figure studies, watercolor technique, and Old World oil painting methods from his father, an accomplished portrait and landscape painter. At the age of six, Ptahmassu began what has evolved into a life long obsession with the civilization, art and religious practices of the ancient Egyptians. Even at this tender age, the boy astonished (and not a little horrified) his parents when he declared...